Dharma Type is a project to offer exclusive fonts designed by Ryoichi Tsunekawa for all designers in the world started from The design style is very wide-ranging from retro and classic to experimental and futuristic, from formal to informal because the direction of the project is to to fill the small niche of design demand.
So far, Dharma Type has released about a hundred latin typefaces including Bebas Neue free open sourced font. Many of their fonts have been featured in various publications such as Slanted, Page magazine, Computer Arts and so on and used in various media such as movie titles e. La la landbrand logos, and posters. Visit foundry page. Visit designer page. As with everything from Adobe Fonts, you can use these fonts to publish:.
See our Licensing Details. You may encounter slight variations in the name of this font, depending on where you use it. Fonts in the Adobe Fonts library include support for many different languages, OpenType features, and typographic styles.
Learn more about language support. Learn more about OpenType features. Upload a photo to scan for similar type. Rigid Square Designed by Ryoichi Tsunekawa. From Dharma Type. All Fonts Active. Add to Web Project. Sample Text. About Rigid Square Dharma Type. Type Designer Type Designers. Commercial Projects.
How to Use. Learn more about language support Learn more about OpenType features.Are you a member? Register or Login. Crafting the perfect logo often takes a lot of hard work and time. You have to come up with a design outline, pick the right colors, and find the perfect logo font to match the branding. Have a look at this handpicked collection of the best logo fonts and choose the one that works best for your project!
Are you in the middle of a logo design project? Download thousands of stunning premium fonts and typefaces with an Envato Elements membership. Choosing a font for a logo design can be tough. These tips will help you make that decision-making process a lot easier. While there are many other types of fonts used in logo design, it will always come down to serif and sans-serif as they play a key role in defining the brand and the business behind a logo.
While more personal and casual brands use sans-serif fonts. Think about where and how your logo will be used. Are you designing a logo for a mobile app? Then you should pick a font with a crispy design that looks great on all sizes of device screens. Are you designing a logo that gets printed on stationery and posters? Then you need to find a font that can be resized without affecting its clarity. Imagine using a thick bold font in your logo and having to print it on a letterhead.
So think carefully about how and where the logo will be used when choosing the font.
Fonts tagged “square”
The font you use for the logo should also be part of that personality of the brand. You can instantly see the user-friendly and fun side of these companies in its font designs. A logo has to look unique and original to make your brand stand out from the crowd.
Of course, finding inspiration for a unique design is not as easy as it sounds. Some logo designers like Paul Rand spend months and sometimes years designing a single logo. So learn to find inspiration from other logo designs and designers. Flix is a bold display font with a stylish rounded character design that gives it a unique identity of its own.
It comes in two styles featuring regular and outline typefaces. The creative and casual design of the letters makes this font a perfect choice for designing logos for many different types of brands from startups to design agencies and much more.
This font is simply perfect for making a logo that stands on its own without needing the help of symbols or emblems. The font will also look great on other types of branding and stationery designs as well.
Free Font Utopia
Graphic Design Stack Exchange is a question and answer site for Graphic Design professionals, students, and enthusiasts. It only takes a minute to sign up. I am looking for fonts with "square" letters, by which I mean fonts with both the same width and height. To be square it should be wider, possibly with a "fatter" midline. There's no official name for this, but there exists several square fonts that you can find in the below links.
There's also a font named square which were made for games that are expected to show on a square grid. Square is a TTF font intended for roguelike games. Square has been designed to make characters fill a square space as evenly and uniformly as possible.
It is inspired upon the way Japanese characters always evenly fit a box, no matter their design. From wikipedia: Geometric As their name suggests, Geometric sans-serif typefaces are based on geometric shapes, like near-perfect circle and square. Sign up to join this community. The best answers are voted up and rise to the top. Home Questions Tags Users Unanswered. Asked 5 years, 1 month ago. Active 1 year ago. Viewed 11k times. JohnB MikhailTal MikhailTal 1 1 gold badge 1 1 silver badge 1 1 bronze badge.
Just to clarify. Sure, that's why I said "Related not identical ". Perfectly square fonts are very very rare. You can find near-square fonts by choosing wide fonts on a site that lets you filter by width Typekit is one example, but that only covers Adobe's font library. Are you looking for perfectly square characters in which case you'll also need to limit to monospaced fontsor just near-square?
Searching MyFonts. Look at iamblock -- pretty amazing.
I'm so tempted to give it a go. Active Oldest Votes. Do you mean Geometric font? Naty Naty 2, 1 1 gold badge 9 9 silver badges 15 15 bronze badges.
I don't think geometric fonts are what the OP is looking for.Markdown makes it easy to format messages. Type a message as you normally would and use these rules to render it with special formatting techniques.
Open the emoji autocomplete by typing : followed by two characters of the word describing the emoji. A full list of emojis can be found here. Use two to make it bold.
Create labeled links by putting the desired text in square brackets and the associated link in normal brackets. Renders as: Check out Mattermost! Indent a bullet point by adding two spaces in front of it. Creating a fixed width code block is recommended for pasting multi-line blocks of code or other text output that is easier to read with fixed width font alignment. Renders as: monospace. Add in-line images by using an exclamation mark followed by the alt text in square brackets then the URL of the image in round brackets.
You can add hover text by placing the text in quotes after the link. If the height of the original image is more than pixels, the system sets the height at pixels and adjusts the width to maintain the original aspect ratio.
You can set the width and height of the displayed image by using an equals sign and the width x height after the URL of the image. If you set only the width, the system adjusts the height to maintain the original aspect ratio. Create a table by placing a dashed line under the header row and separating the columns with a pipe. Choose how to align table columns by including colons : within the header row.
Mattermost 5. Large Heading Item one 1. Item two 1. The first list number is 4. The second list number is 5. The third list number is 6. Examples : Inline image with hover text!Day Last updated Sep 22, Typography 3 comments. In almost any design project, the artist has to choose a font that work well with the concept and support the idea.
As such, he is in a better position to select the ideal font if he has a collection of fonts at his disposal. From time to time Tripwire Magazine feature a select variety of fonts to help you out and expand your selection.
Today, we are sharing with you some of the square fonts which are of high-quality and at the same time free. As the name suggests, these fonts take the shape of a square, just like rounded fonts have round corners.
You can use these as may be necessary to enhance your designs and come up with a beautiful artwork.
If you like Fonts, make sure to check out the thousands of fully-licensed premium examples found over at Envato Market. Sonny M. Day is a passionate SEO and web design enthusiast who loves photography, mountain climbing, snorkeling and dirt bike riding.
When sharing photos and videos on Instagram, there are two main things to keep in mind: aspect ratio and size. Aspect ratio refers to the width of a picture in relation to its height. Size refers to the number of pixels that make up the width and height of your photo or video. Like aspect ratio, size is expressed by two numbers, the first representing width and the second representing height.
What this means is that if your photo or video is smaller than px, Instagram will enlarge it to a width of px. When you share a photo or video on Instagram, Instagram actually stores multiple sizes of that photo or video. And the image that gets displayed on Instagram both the app and the web will usually be much smaller than the original that you uploaded.
So even if you upload a photo with a width of px, the image that gets displayed on Instagram will be compressed to a smaller size usually between 1. We recently shared a portrait photo to Instagram with a width of px and height of px. However, the image that appears on Instagram was compressed to So if Instagram automatically compresses your photos and videos, does image size even matter? It sure does! Doing so will actually impact your image quality in a negative way! Once upon a time Instagram feed posts were limited to the simple square, but now almost anything goes!
Otherwise, parts of your photo might be cropped. We also recommend making your square photos px by px in size. Horizontal photos can be a bit tricky. While Instagram recommends an aspect ratio of 1. In any case, we recommend that you make the height of your horizontal photo at least px.
That way, when Instagram compresses the file, the quality should remain pretty high. Generally speaking, your vertical photos should have an aspect ratio of Anything longer like orand Instagram will crop your content. Happy Saturday! As for size, we recommend going with px by px.An award-winning team of journalists, designers, and videographers who tell brand stories through Fast Company's distinctive lens. Leaders who are shaping the future of business in creative ways.
New workplaces, new food sources, new medicine--even an entirely new economic system. One of the major traps, when talking about type, is mixing up fonts with typefaces or treating them as synonymous.
Many a typographic expert has haughtily corrected a beginner for mistakenly using the word font when he or she should have said typeface. To those of us who think about fonts only when choosing one in Microsoft Word, the distinction between the terms can seem confusing, esoteric, and even arcane. Back in the good old days of analog printing, every page was laboriously set out in frames with metal letters. That was rolled in ink, and then it was pressed down onto a clean piece of paper.
That was a page layout. Printers needed thousands of physical metal blocks, each with the character it was meant to represent set out in relief the type face.
If you wanted to print Garamond, for example, you needed different blocks for every different size 10 point, 12 point, 14 point, and so on and weight bold, light, medium. This is where we get the terms typeface and font. In the example above, Garamond would be the typeface: It described all of the thousands of metal blocks a printer might have on hand and which had been designed with the same basic design principles. But a font was something else entirely.
A font described a subset of blocks in that very typeface—but each font embodied a particular size and weight. For example, bolded Garamond in 12 point was considered a different font than normal Garamond in 8 point, and italicized Times New Roman at 24 point would be considered a different font than italicized Times New Roman at 28 point.
The distinction between the two terms, and the processes they encapsulated, got muddied with the rise of desktop publishing. Fonts were no longer thousands of tiny blocks of movable type; they became digital computer files that scaled themselves up or down dynamically to whatever size or weight users wanted. So the distinction between process and end result disappeared in a puff of binary magic for most people.
This is the proper term. But from the perspective of millions of computer users who have never given a thought to type—outside of deciding what they want to use for their email signature or homemade birthday card—the word font has come to represent the looknot the mechanism. Only experts really need to worry about it. Gary Hustwit, director of Helvetica, agrees.
Even type experts agree: Typeface and font can be used interchangeably at this point.
But if you come across an annoying pedant who cares deeply about maintaining the distinction for the masses, just remember this: The difference between a font and a typeface is the same as that between songs and an album. The former makes up the latter. Citrix MailChimp. Events Innovation Festival The Grill. Follow us:. By John Brownlee 3 minute Read. Does It Even Matter Anymore?